Tuesday, February 7, 2017
Two Days, One Night (2014), which is a movie full of sympathy for those abused by capitalism. The Kid With the Bike is not an exposé, but rather a tribute to human kindness overcoming contemporary anomie. It is made plausible by the matter-of-fact approach of the Dardennes, but mostly by the performances, especially that of 13-year-old Doret, who had never acted before, but brings full conviction to every scene, including his rages and his hunger to be reunited with his father, as well as his eventual acceptance of Samantha's love and authority. The directors never milk a moment for sentiment: The only non-diegetic music on the soundtrack is the occasional punctuation at the end of a scene with a few bars from Beethoven's "Emperor" concerto, which has the tantalizing effect of keeping us suspended until the rest of the adagio is performed over the end credits.