Pages
▼
Sunday, October 1, 2017
The Ceremony (Nagisa Oshima, 1971)
Masuo Sakurada: Kenzo Kawaraski
Ritsuko Sakurada: Atsuko Kaku
Terumichi Tachibana: Atsuo Nakamura
Tadashi Sakurada: Kiyoshi Tsuchiya
Grandfather: Kei Sato
Setsuko Sakurada: Akiko Koyama
Shizu Sakurada: Nobuko Otowa
Director: Nagisa Oshima
Screenplay: Mamoru Sasaki, Tsutomu Tamura, Nagisa Oshima
Cinematography: Toichiro Narushima
Production design: Shigenori Shimoishizaka
Music: Toru Takemitsu
In his comments on The Ceremony in Have You Seen...? David Thomson makes an admission that perhaps I myself don't keep enough in mind: "I have seen enough Japanese films to know that, much as I admire that national cinema, it is based on precepts that are strange to me." But Thomson also makes an important point when he likens the family in The Ceremony to those in "Faulkner or Greek tragedy." We are distanced from the tortured family narrative in the film not only by cultural differences, but also by the larger-than-life mythic quality of the personalities and events. The transgressive sexuality -- the pervasive incest in the Sakurada family -- and the rigid adherence to tradition, which reaches its most absurd point when an elaborate wedding is conducted with the bride in absentia, are on one level satiric indictments of Japanese culture, but on another level are statements about human obsessions that transcend national boundaries. Sometimes Oshima's attempt at this kind of transcendent mythmaking bogs The Ceremony down a bit, and the performers don't always rise to the demands of the material, losing their grip on the humanity of their characters and bringing in a whiff of pretentiousness to the enterprise. But it's a fascinating film to watch -- and often to listen to, when Toru Takemitsu's spiky score appears.
Charles Matthews