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Saturday, September 21, 2019
Winchester '73 (Anthony Mann, 1950)
Winchester '73 (Anthony Mann, 1950)
Cast: James Stewart, Shelley Winters, Dan Duryea, Stephen McNally, Millard Mitchell, Charles Drake, John McIntire, Will Geer, Jay C. Flippen, Rock Hudson, John Alexander, Steve Brodie, James Millican, Abner Biberman, Tony Curtis, James Best. Screenplay: Robert L. Richards, Borden Chase, based on a story by Stuart N. Lake. Cinematography: William H. Daniels. Art direction: Bernard Herzbrun, Nathan Juran. Film editing: Edward Curtiss.
Winchester '73 fetishes the titular firearm as if it were Excalibur or the Shield of Achilles. Which is all to the point if you're mythmaking, as this film, the first of a series of five movies on which James Stewart collaborated with director Anthony Mann, distinctly is. It's not only a contribution to the myth of the American West, but its central conflict is based on the story of Cain and Abel, with a touch of Oedipus thrown in. Sibling rivalry -- I almost wrote "sibling riflery" -- never got hotter. This is the only one of the Stewart-Mann Westerns that wasn't made in color, but it hardly matters: William H. Daniels photographs the high desert country of Arizona as lovingly as he ever filmed Greta Garbo. The film also holds a place in Hollywood movie history because of the deal Stewart's agent made guaranteeing the actor a percentage of the profits -- a step toward the disintegration of the studio system that would accelerate through the 1950s. But it might also be noted that the studios still held some power: Two up-and-coming Universal contract players, Rock Hudson and Tony Curtis, both have small roles in the film, the former in war paint and a fake nose as the Indian chief Young Bull, the latter in a bit part as a cavalryman who admires the rifle on which the plot centers. Winchester '73 is one of the great Westerns not because it questions the myths (and the clichés, such as Shelley Winters's "dance hall girl" with a heart as gold as her hair) on which the genre is founded, but because it so wholeheartedly accepts and integrates them into a well-paced and entertaining movie.
Charles Matthews