Bad movies are often fun to watch anyway, and most of the people involved with The Chase, including director Arthur Penn, screenwriter Lillian Hellman, and star Marlon Brando, agreed that it was a bad movie. Brando let his opinion show, giving a sluggish performance that validates the old criticism that he mumbled his lines. Hellman had her script taken away and rewritten, and Penn struggled to deal with an ill-conceived project. The chief interest the film generates today is seeing actors like Jane Fonda, Robert Redford, and Robert Duvall on the brink of major stardom. There's a good deal of miscasting, including E.G. Mashall as the boss of a small town that seems to be in Texas or Louisiana. Marshall lacks the ruthless aura that the character needs. Angie Dickinson is wasted as the loving and dutiful wife of the town sheriff played by Brando. And Redford feels out of place in the role of Bubber Reeves, the town bad boy who escapes from prison (it's never quite clear what he did to be sent there) and stirs a manhunt, a lynch mob, and a conflagration in a junkyard. The town itself is a hotbed where everyone sleeps with everyone else's spouse and goes orgiastic on the Saturday night when the news of Bubber's escape breaks. It's a silly and lurid movie, but a little too long to be entertainingly bad.