I wish there were more movies like Wildcat. Not that it's particularly good: Except for the acting, not much about it in conception and execution works very well. But it's made from the heart by someone with the status and income to see that it got made in an era when money (or lack of it) usually trumps love. It was born from Ethan Hawke's love for the stories of Flannery O'Connor, and maybe from the love for his daughter, Maya, who gives a fine performance as not only O'Connor but also some of the characters from her stories. It's this intermingling of O'Connor's life and fiction that proves to be the undoing of Wildcat, a brave idea undone by some bad ideas, like having Maya play a male character, Julian, in a section drawn from the story "Everything That Rises Must Converge." An unbilled cameo by Liam Neeson as a priest also stands out as a too-showy moment. But bravo to the Hawkes for a worthy effort.