A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Thursday, May 22, 2025

Vermiglio (Maura Delpero, 2024)

Cast: Tommaso Ragno, Roberta Rovelli, Martina Scrinzi, Giuseppe De Dominico, Carlotta Gamba, Orietta Notari, Santiago Fondevila, Rachele Potrich, Anna Thaler, Patrick Gardner. Screenplay: Maura Delpero. Cinematography: Mikhail Krichman. Production design: Pirra, Vito Giuseppe Zito. Film editing: Luca Mattei. Music: Matteo Franceschini. 

Maura Delpero's Vermiglio is a story about the impossibility of security. Vermiglio is a village in the Italian Alps untouched by World War II until one day Pietro Riso (Giuseppe De Dominico), a Sicilian deserting from the Italian army, shows up with a resident of the town, Attilio (Santiago Fondevila), who has also had enough of fighting in the now lost cause of the war. Before long, Pietro and Lucia Graziadei (Martina Scrinzi), the oldest daughter of the village schoolteacher, Cesare (Tommaso Ragno), have fallen in love. The lives of the large Graziadei family, which have been carefully ordered by the imperious patriarch, Cesare, are disrupted in unexpected ways. Delpero's film is a quiet one, but filled with tension as the family's secrets and desires are uncovered. Although the story of Pietro and Lucia is central to the film, it's laced with subplots as we learn more about the family and the people of Vermiglio, focusing especially on the repressed and dutiful lives of women. Cinematographer Mikhail Krichman takes advantage of the scenery of the area, but also composes interior shots that evoke classic genre paintings of village life.