A movie log formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, January 23, 2010

True Beltway Wisdom

Michael Bérubé's fine parody of what passes for punditry these days is almost too subtle: 
Scott Brown’s election this past Tuesday offers the Democratic Party a new hope.  A new hope for a politics of modesty in place of the politics of arrogance; a new hope for a politics of cooperation in place of the politics of demonization.  Democrats might not realize it now, but they have before them a historic opportunity to seize the day and regain the trust of the American people for at least a generation.  By turning their backs once and for all on the scorched-earth approach of the party’s liberal wing, Democrats can consolidate their legitimate gains while cutting loose their least reliable partners.  They have the ability; all they need is the will.

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