Sunday, April 3, 2016
Seven Samurai (Akira Kurosawa,1954)
The Magnificent Seven (John Sturges, 1960), shows, there's a universality about the antagonism between fighters and farmers. Kurosawa captures this particularly well in the character of Kikuchiyo (Toshiro Mifune), the would-be samurai who reveals in mid-film that he was raised as a farmer and carried both a kind of self-hate for his class along with a hatred for the arrogant treatment of farmers by samurai. Mifune's show-off performance is terrific, but the film really belongs to Takashi Shimura, who radiates stillness and wisdom as Kambei Shimada, the leader of the seven. There are clichés to be found, such as the fated romance of the young samurai trainee Katsushiro (Isao Kimura) and the farmer's daughter Shino (Keiko Tsushima), but like the best clichés, they ring true. Seven Samurai earned two Oscar nominations, for So Matsuyama's art direction and Kohei Ezaki's costumes, but won neither. Overlooking Kurosawa's direction, Shimura's performance, and Asakazu Nakai's cinematography is unforgivable, if exactly what one expects from the Academy.