Friday, November 18, 2016
The Mirror (Andrei Tarkovsky, 1975)
Andrei Rublev (1966), and Solaris (1972) -- but I will have to see it again to decide if I want to join the consensus on its greatness: It took 19th place in the 2012 Sight and Sound critics poll of the greatest films of all time, and an astonishing 9th place in the directors' poll. I concede that it is "poetic," including the fact that Arseniy Tarkovsky, the director's father, reads his own poems in the film, and there are scenes of extraordinary beauty, the work of cinematographer Georgi Rerberg. But is that all we should ask of a film?