Misfortunes of Imaginary Beings: 10/03/19

A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Thursday, October 3, 2019

The Glass Key (Stuart Heisler, 1942)

The Glass Key (Stuart Heisler, 1942)

Cast: Alan Ladd, Brian Donlevy, Veronica Lake, William Bendix, Bonita Granville, Joseph Calleia, Richard Denning, Frances Gifford, Donald MacBride, Margaret Hayes, Moroni Olsen, Eddie Marr, Arthur Loft, George Meader. Screenplay: Jonathan Latimer, based on a novel by Dashiell Hammett. Cinematography: Theodor Sparkuhl. Art direction: Haldane Douglas, Hans Dreier. Film editing: Archie Marshek. Music: Victor Young, Walter Scharf.

There's something a little febrile about The Glass Key, and I don't just mean the movie -- it' s inherent in Dashiell Hammett's novel, too. The movie heightens it with the casting of Veronica Lake, who always seems a little out of it in her movies, on which she often clashed with directors and/or stars. And William Bendix's sadistic thug has a special menace for those of us who remember him in his familiar sitcom role, as the working-class schlub in The Life of Riley. It was a breakthrough role for Alan Ladd as the semi-conscientious right-hand man to Brian Donlevy's shady politician. Ladd gets beaten into the hospital by Bendix, where he spends a lot of time doing what he does best: flirting, in this case with the nurse. He also flirts with Lake, as the daughter of Donlevy's political rival turned ally, as well as with Bonita Granville, as Donlevy's sister, and even the wife of the corrupt newspaper publisher who wants to frame Donlevy for murder. And so on, in a reasonably faithful translation of Hammett's book that only misses the author's dryly tough prose style.