The Third Murder (Hirokazu Koreeda, 2017)
Cast: Masaharu Fukuyama, Koji Yakusho, Shinnosuke Mitsushima, Mikako Ichikawa, Izumi Matsuoka, Suzu Hirose, Isao Hashizume. Screenplay: Hirokazu Koreeda. Cinematography: Mikiya Takimoto. Production design: Yohei Taneda. Film editing: Hirokazu Koreeda. Music: Ludovico Einaudi.
"The truth is rarely pure and never simple." Oscar Wilde's pronouncement could stand as an epigraph for The Third Murder, which could be just a murder mystery in which the defense attorney, Shigemori, serves as detective as well, but tries to make serious points about the relationship between truth and justice. Shigemori is faced with defending Misumi, who has apparently committed his third murder. Moreover, his trial for the first two, a double murder, was presided over by Shigemori's father, who now feels that he was too lenient in not sentencing Misumi to death that time. Shigemori's defense of Misumi is also complicated by the fact that Misumi confessed to the killing. So it seems that the best Shigemori can do is to try to get the man sentenced to life imprisonment instead of death. Things begin to get complicated when Shigemori encounters Sakie, the daughter of Misumi's victim, at the site of the murder. She is the same age, 14, as Shigemori's own daughter, from whom he has been separated by divorce and by his addiction to his work. The growing relationship between lawyer and client is visually manifested in the gradual merging of their two faces, which are reflected in the glass panel that separates them in their conferences at the prison. Shigemori is drawn much deeper into the case than he expected, and the film becomes laden (if not overburdened) with revelations about why Misumi murdered Sakie's father -- if in fact he did. It's an absorbing story, even if it doesn't quite fulfill its intellectual and moral ambitions, and the film is strengthened by beautifully subtle performances by Masaharu Fukuyama as Shigemori and Koji Yakusho as Misumi.
