Waltz With Bashir
When Ari Folman's film switches to live action at the very end, you can see clearly why he chose animation. It's not enough for a documentary to ... well, to document. With no sacrifice of truth, animation allows him to go places documentaries usually can't, not only into the midst of unfilmed battles, but also into the dreams of his interviewees -- the pursuing wild dogs, the giant nude woman swimming to the boat, the swimmers rising from the sea and walking onto the devastated beach. War, as Folman says in one of the DVD's interviews, is the creation of "men with small minds and big egos." Folman's ego, I dare say, is rather large, too, but he has created something more valuable.