A Movie Log

A blog formerly known as Bookishness

By Charles Matthews

Sunday, January 15, 2017

Blood Simple (Joel Coen and Ethan Coen, 1984)

So many of the Coen brothers' best films, like Miller's Crossing (1990), Fargo (1996), and No Country for Old Men (2007), are about plans that backfire, that it's no surprise their first feature, Blood Simple, has a plot that hinges on just that. When Texas bar owner Julian Marty (Dan Hedaya) discovers that his wife, Abby (Frances McDormand), is having an affair with one of his bartenders, Ray (John Getz), he hires a private detective, Visser (M. Emmet Walsh), who discovered the affair, to kill them. But Visser has other ideas: He finds Ray and Abby asleep in Ray's bed, takes a picture of them, and steals Abby's gun. Then he doctors the photograph to make it look like he has shot them to death, collects the reward from Marty, and then shoots Marty with Abby's gun to frame her for his murder. But wait, there's more! It involves the fact that Marty is not (yet) dead, that he kept a copy of the doctored photo in his safe when he paid off Visser, and that Visser accidentally left his cigarette lighter behind in Marty's office. And so on, as almost everyone gets what's coming to them. Blood Simple may be just a tad over-plotted, and there are a few things that seem too contrived -- Visser's carelessness with the lighter, for one. But on the whole, it's good nasty fun, with some solid performances. McDormand, in her first film role, is strikingly pretty, and manages a remarkable character transition from naïveté to resourcefulness. Walsh and Hedaya, two reliable character actors, make the most of their juicy roles. Cinematographer Barry Sonnenfeld and composer Carter Burwell, both making their feature film debuts, help craft the film's very effective noir atmosphere.

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