A Movie Log

A blog formerly known as Bookishness

By Charles Matthews

Tuesday, July 18, 2017

Rocco and His Brothers (Luchino Visconti, 1960)

Renato Salvatori and Alain Delon in Rocco and His Brothers
Rocco Parondi: Alain Delon
Simone Parondi: Renato Salvatori
Nadia: Annie Girardot
Rosaria Parondi: Katina Paxinou
Vincenzo Parondi: Spiros Focás
Ginetta: Claudia Cardinale
Ciro Parondi: Max Cartier
Luca Parondi: Rocco Vidolazzi
Morini: Roger Hanin

Director: Luchino Visconti
Story and screenplay: Luchino Visconti, Suso Cecchi D'Amico, Vasco Pratolini, Pasquale Festa Campanile, Massimo Franciosa, Enrico Medioli
Based on a novel by Giovanni Testori
Cinematography: Giuseppe Rotunno
Production design: Mario Garbuglia
Music: Nino Rota

When Rocco cries out, "Sangue! Sangue!" on finding Nadia's blood on his brother Simone's jacket, I almost expect to hear Puccini on the soundtrack instead of Nino Rota. It's one of those moments that cause Rocco and His Brothers (along with other films by Luchino Visconti) to be called "operatic." It's "realistic" but in a heightened way -- the word for it comes from the realm of opera: verismo. The moment is in the same key as the actual murder of Nadia, along with her earlier rape by Simone, and the numerous highly volatile scenes of the family life of the Parondis. It's what makes Rocco and His Brothers feel in many ways more contemporary than Michelangelo Antonioni's more cerebral L'Avventura, which was released in the same year. Movies have gone further in the direction of Rocco -- think of the films of Martin Scorsese and Francis Ford Coppola -- than they have in the direction of Antonioni's oeuvre. I have room in my canon for both the raw, melodramatic, and perhaps somewhat overacted Rocco and the enigmatically artful work of Antonioni, however.

Watched on Filmstruck

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