A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Monday, August 15, 2016

A Most Violent Year (J.C. Chandor, 2014)

Jessica Chastain and Oscar Isaac in A Most Violent Year
Abel Morales: Oscar Isaac
Anna Morales: Jessica Chastain
Julian: Elyes Gabel
Andrew Walsh: Albert Brooks
D.A. Lawrence: David Oyelowo
Peter Forente: Alessandro Nivola

Director: J.C. Chandor
Screenplay: J.C. Chandor
Cinematography: Robert Levi, Bradford Young

In a movie that might have been called "Do the Most Right Thing," Oscar Isaac plays yet another ethically challenged protagonist. Abel Morales is not as cranky as Llewyn Davis or as politically savvy as Nick Wasicsko, the beleaguered Yonkers mayor of the 2015 HBO series Show Me a Hero, but he's another little guy who deserves better than the forces opposed to him will allow. He's no moral paragon: He couldn't have built a successful heating oil company in New York City without bending a few of the rules -- and without the help of his less-scrupulous wife, Anna. It's 1981, and Morales is on the brink of a big deal, purchasing property on the East River that will enable him to eliminate some of the middlemen in the business. But then everything starts going awry: His trucks are being hijacked and the district attorney has decided to make him a target in his exposé of corrupt practices in the heating oil business. It's a gritty urban tale, the kind that the movies haven't seen much of lately, demanding an audience that doesn't ask for a lot of glamour and knows how to wait patiently for things to unfold. As director and screenwriter, J.C. Chandor resists the temptation to reveal too much too swiftly, building a quiet tension as we begin to bring the story into focus. He also handles action well, as the title suggests, although much of the violence is latent. Best of all, he showcases some fine performances, not only from Isaac and Chastain and Oyelowo, but also from Albert Brooks as Morales's attorney, Elyes Gabel as one of the victimized truck drivers, and Alessandro Nivola as one of Morales's mobbed-up competitors. There are moments when the script's depiction of Morales's determination to go as straight as possible seems a little too much like forcing him into the good-guy role, and the climax is too melodramatic, but on the whole it's a solid movie.
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