 |
| Simone Signoret and Laurence Harvey in Room at the Top |
Alice Aisgill: Simone Signoret
Susan Brown: Heather Sears
Mr. Brown: Donald Wolfit
Charles Soames: Donald Houston
Elspeth: Hermione Baddeley
George Aisgill: Allan Cuthbertson
Mr. Hoylake: Raymond Huntley
Jack Wales: John Westbrook
Mrs. Brown: Ambrosine Phillpotts
Director: Jack Clayton
Screenplay: Neil Paterson
Based on a novel by John Braine
Cinematography: Freddie Francis
Art direction: Ralph W. Brinton
Music: Mario Nascimbene
Laurence Harvey's narrow eyes and sharpish features (and a long brush cut that makes him look a little like Clint Eastwood) provide the right wolfish look for Joe Lampton, a young man from the provinces on the make. Heir to such classic challengers to the class system as Stendhal's Julien Sorel, Balzac's Lucien de Rubempré, and Dreiser's Clyde Griffiths, Lampton is determined to break down the British barriers to upward movement. He arrives in the Yorkshire city of Warnley to take on a government job and walks right into a hormonal stew, the eager young men and women of his office casting eyes on one another, but especially on the newcomer. But Lampton knows what he wants when he sees her: a rich young woman named Susan Brown, whose father is a local factory owner. Learning that Susan is a member of an amateur theatrical group, Lampton joins up, only to find himself edged aside by the well-to-do Jack Wales, who is paying court to Susan. Every move Lampton makes to ingratiate himself with Susan, who is inclined to return his attentions, is thwarted by her parents, especially her formidably snobbish mother. We sense Mrs. Brown's backstory: She has married rich herself, to a working-class self-made man, and is determined to keep climbing higher -- no lower-class Lamptons allowed. Determined as he is to win Susan, whose parents send her away on an extended vacation on the Riviera, Lampton comforts himself with another member of the theater company, Alice Aisgill, an older woman with a bullying, unfaithful husband. When Susan returns, Lampton resumes his pursuit of her, but finds that he has fallen in love with Alice, whose maturity offers something that makes Susan's girlishness seem cloying. When he manages to seduce Susan, he's bored and annoyed by her reaction to losing her virginity: She doesn't feel different, she simpers and keeps asking him if she looks different. But Susan gets pregnant, forcing the Browns into an accommodation with him: marriage and a lucrative job -- everything he wanted. The crisis with Alice this precipitates is predictable, but the film makes a sharp turn into melodrama before the ending. Room at the Top was a hit, winning Simone Signoret a best actress Oscar and Harvey a nomination (along with a nomination for Hermione Baddeley in the very small role of the friend who lends Alice her flat for the trysts with Lampton). It's a little slow in the middle section, as the affair with Alice progresses, and Harvey was an actor of limited range, so the shift from the predatory Lampton of the first part of the film to the man infatuated with Alice doesn't quite come off. But it's a perfect example of the Angry Young Men films, plays, and novels that revolutionized British culture in the austere postwar 1950s.
No comments:
Post a Comment