A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, October 20, 2018

Pitfall (André De Toth, 1948)

Lizabeth Scott and Dick Powell in Pitfall
John Forbes: Dick Powell
Mona Stevens: Lizabeth Scott
Sue Forbes: Jane Wyatt
J.B. MacDonald: Raymond Burr
Bill Smiley: Byron Barr
District Attorney: John Litel
Tommy Forbes: Jimmy Hunt
Ed Brawley: Selmer Jackson

Director: André De Toth
Screenplay: Karl Kamb
Based on a novel by Jay Dratler
Cinematography: Harry J. Wild
Art direction: Arthur Lonergan
Film editing: Walter Thompson
Music: Louis Forbes

André De Toth's Pitfall is a noir-tinged cautionary fable about midlife ennui. Married to his childhood sweetheart, Sue, John Forbes is bored with his job at an insurance company and with his suburban life in general. But then he gets a case involving the recovery of the assets of Bill Smiley, who is doing time for embezzlement. The sleazy private eye Forbes has hired, J.B. MacDonald, has tracked down some of the loot to Smiley's mistress, Mona Stevens. Forbes decides to pay her a visit, but not before MacDonald, with a nudge-nudge, wink-wink, urges him to put in a good word with Mona about him. Forbes's visit to Mona will turn into an affair that earns the enmity of not only MacDonald, who is obsessed with her, but also Smiley, whose jail term is almost up. The whole thing ends with a couple of corpses and a badly damaged marriage. De Toth handles it with a minimum of sugarcoating on the life of the Forbeses, even though they have a cute little boy named Tommy, and with a great deal of suspense as the hulking MacDonald, well-played by Raymond Burr in his heaviest heavy mode, gets Forbes more deeply involved in his relationship with Mona -- despite the best efforts of both Forbes and Mona to put an end to it.
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