A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Sunday, June 16, 2019

More (Barbet Schroeder, 1969)

Klaus Grünberg and Mimsy Farmer in More
Cast: Klaus Grünberg, Mimsy Farmer, Heinz Engelmann, Michel Chanderli, Henry Wolf, Louise Wink. Screenplay: Paul Gégauff, Barbet Schroeder, Mimsy Farmer, Eugene Archer, Paul Gardner. Cinematography: Néstor Almendros. Art direction: Néstor Almendros, Fran Lewis. Film editing: Denise de Casablanca, Rita Roland. Music: Pink Floyd.

A vivid downer film, in which a German student (Klaus Grünberg) and an American hippie (Mimsy Farmer) get more deeply involved in drugs, moving from pot to LSD to heroin. More avoids some of the clichés of films about the counterculture of the late '60s -- it doesn't try to re-create the drug experience with camera tricks but instead views its characters externally as it traces their disintegration. It places its more sordid sequences against the beauty of Ibiza to good effect, and the cinematography of Néstor Almendros makes the most of the location, but the film still feels heavy and dated.
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