A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Tuesday, July 16, 2019

Eyes Wide Shut (Stanley Kubrick, 1999)


Cast: Tom Cruise, Nicole Kidman, Sydney Pollack, Todd Field, Marie Richardson, Thomas Gibson, Julienne Davis, Vinessa Shaw, Rade Serbedzija, Leelee Sobieski, Alan Cumming. Screenplay: Stanley Kubrick, Frederic Raphael, based on a story by Arthur Schnitzler. Cinematography: Larry Smith. Production design: Leslie Tomkins, Roy Walker. Film editing: Nigel Galt. Music: Jocelyn Pook.

Some people think Eyes Wide Shut is a masterpiece; others think it's pretentious hooey. While I incline toward the latter opinion, I have to wonder if Stanley Kubrick had lived to see it fully through its postproduction stage -- he died shortly after submitting a final cut to the studio -- he would have tinkered it into something that inspired less ambivalence. I also wonder if he hadn't yielded to studio pressure to cast movie stars in the lead roles, we wouldn't have found the characters played by Tom Cruise and Nicole Kidman less glossy and more interesting. And then there are the orgy scenes, too choreographed to be real, although movie orgies are rarely titillating even when they're not digitally altered as the ones in the original release of the film were to avoid an NC-17 rating. The main thing for me, however, is that every time I see the movie I can't remember a few days later what it was all about. Which makes me wonder if it's about anything. 

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