A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Monday, September 16, 2019

The Lost City of Z (James Gray, 2016)


The Lost City of Z (James Gray, 2016)

Cast: Charlie Hunnam, Sienna Miller, Robert Pattinson, Tom Holland, Edward Ashley, Angus Macfadyen, Ian McDiarmid, Clive Francis, Pedro Coello, Franco Nero. Screenplay: James Gray, based on a book by David Grann. Cinematography: Darius Khondji. Production design: Jean-Vincent Puzos. Film editing: John Axelrad, Lee Haugen. Music: Christopher Spelman.

A New Yorker profile of James Gray, keyed to the release of his much-anticipated Ad Astra, sent me in search of his earlier films, none of which I had seen. I lighted first on The Lost City of Z, which I had earlier ignored, in large part because of its title: It sounded like one of those campy adventure movies spoofing the genre epitomized by King Solomon's Mines and pretty much done to death by the Indiana Jones series. I admit that the Z in the title also made me think it had something to do with zombies. Anyway, how can we take movies about explorations in the Amazon seriously after Werner Herzog's Fitzcarraldo (1982)? But The Lost City of Z turns out to be a pleasant surprise: an old-fashioned adventure story played straight and done well. I think it could have used an actor of more heft and charisma than Charlie Hunnam in the lead -- it was originally planned for Brad Pitt (who stayed on as producer after a schedule conflict) and then for Benedict Cumberbatch, either of whom might have filled the part of the obsessive explorer Percy Fawcett better. But Gray handles a sprawling story -- we get not only scenes of Amazonian hardship but also of the Battle of the Somme in World War I -- with finesse.
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