A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Saturday, February 15, 2020

Us (Jordan Peele, 2019)

Lupita Nyong'o in Us
Cast: Lupita Nyong'o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex, Yahya Abdul-Mateen II, Anna Diop, Cali Sheldon, Noelle Sheldon, Madison Curry, Ashley McKoy, Napiera Groves, Lon Gowan. Screenplay: Jordan Peele. Cinematography: Mike Gioulakis. Production design: Ruth De Jong. Film editing: Nicholas Monsour. Music: Michael Abels.

The Wilsons have met the enemy and they are them. Jordan Peele's Us is a darker film than his Oscar-winning Get Out (2017), more purely a horror film than that satiric horror-comedy, but it's just as assured in achieving its aims, which are largely to scare us while making us think. Peele has said that the movie's theme is the consequences of "privilege," and by making his central characters a well-to-do black family who suffer in part because of their assumptions about the world they feel entitled to, he gives the theme a sharp focus. There is a sci-fi explanation for the encounter of the Wilson family and others with their doppelgängers, who call themselves "the Tethered" and emerge from their subterranean hiding places to torment the privileged surface-dwellers, but it fades into the background of the battle for survival. Lupia Nyong'o gives a brilliant performance as Adelaide Wilson and her doppelgänger, Red, building toward a shocking moment of recognition at the film's end.

No comments: