A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Wednesday, April 22, 2020

Okja (Bong Joon-ho, 2017)

Ahn Seo-hyn in Okja
Cast: Ahn Seo-hyun, Tilda Swinton, Paul Dano, Jake Gyllenhaal, Byun Hee-bong, Giancarlo Esposito, Steven Yeun, Lily Collins, Yun Jee-moon, Shirley Henderson, Daniel Henshall, Devon Bostick, Choi Woo-shik, Choi Hee-seo. Screenplay: Bong Joon-ho, Jon Ronson. Cinematography: Darius Khondji. Production design: Lee Ha-jun, Kevin Thompson. Film editing: Yang Jin-mo. Music: Jung Jae-il.

In comparison with the other films by Bong Joon-ho I've seen, Parasite (2019) and Snowpiercer (2013), Okja seems to me a bit of a misfire, like a kids' movie gone dark, Charlotte's Web crossed with The Shape of Water. It often feels over-frantic, when what I want it to do is score its points against corporate hype and hypocrisy cleanly and without shouting them at us. The film centers on the Mirando Corporation's attempt to develop and market a "superpig," which involves creating animals in a lab and then farming the superpiglets out around the world, seeing which environment is most successful. The winner is judged to be the superpig -- which looks like a cross between a pig, a dog, and a hippopotamus -- raised by Mija (Ahn Seo-yeun) and her grandfather (Byun Hee-bong) on their small farm in the mountains of South Korea. The kids' movie part of the film is the affection of the girl for her pig, but of course things go awry when the corporation, headed by the air-headed Lucy Mirando (Tilda Swinton), decides to declare Okja the best of all superpigs -- followed, of course, by introducing all manner of superpig food products, something that Mija never suspects. Lucy's henchmen include Johnny Wilcox, a star of TV animal programs, played a little too frantically against type by Jake Gyllenhaal, and the  suave corporado Frank Dawson, in a more understatedly sinister performance by Giancarlo Esposito. Things go awry when an animal-rights organization, a caricature of PETA (which often seems to caricature itself), staffed by enthusiasts who give themselves pseudonyms like Jay (Paul Dano) and K. (Steven Yeun), take Okja's side and plot to expose the mistreatment of the superpigs in Mirando's terrifying abattoir. There's also a subplot about Lucy and her supposedly more evil sister, Nancy, also played by Swinton, but it feels unnecessary. There is some fun to be had in the film, with its elaborate chase scenes, but I found myself a little exhausted by its end.

No comments: