Sandrine Bonnaire and Maurice Pialat in À Nos Amours |
Maurice Pialat is one of those directors who don't make it easy for viewers. He likes jump cuts from time to place that keep you slightly off-balance, and he seems to be obsessed with dysfunction. Not that À Nos Amours is hard to follow or hard to watch. It's graced with a skillful performance by Sandrine Bonnaire, making her screen debut in the key role of Suzanne, the teenage daughter in a family so volatile that it sometimes erupts into blows. Pialat himself plays the father, who finally gets so fed up with his wife (Evelyne Ker) and his dilettantish son (Dominique Bresnehard) that he abandons them -- not before knocking them around a few times. In response to this family craziness, Suzanne turns promiscuous, ignoring the attentions of Luc (Cyr Boitard), who loves her, and sleeping around until she finally decides to marry Jean-Pierre (Cyril Collard), though at the end of the film she has left him and is off to America. There's a raw immediacy to the film, created in part by Pialat's indifference to conventional exposition and transitions, so that we often feel as if we've been thrust into rooms to which we haven't been invited.
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