A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Wednesday, April 17, 2024

Farewell China (Clara Law, 1990)

Maggie Cheung and Tony Leung Ka-fai in Farewell China

Cast: Maggie Cheung, Tony Leung Ka-fai, Hayley Man, Lester Chit-Man Chan, Hung Chun, Jun Liao. Screenplay: Eddie Ling-Ching Fong. Cinematography: Jingle Ma. Art direction: Lee Lok-Si. Film editing: Ma Kam. Music: Jim Shum.

Despite a narrative clotted with flashbacks, some scenes that don't seem to fit, and an unsteadiness of tone, Clara Law's Farewell China remains a vivid, sometimes harrowing look at Chinese immigrants in New York City. Maggie Cheung gives a dazzling performance as Li Hung, who leaves her husband, Zhao Nansan (Tony Leung Ka-fai) and their infant son in China to seek work in New York. When Nansan stops hearing from Hung, he finds his way to the city to search for her. Hayley Man gives a lively performance as a 15-year-old Chinese-American runaway from her family in Detroit, who steals and turns tricks as she aids Nansan in his search through the city's lower depths.  

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