A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Friday, October 18, 2024

One From the Heart: Reprise (Francis Ford Coppola, 1981, 2024)

Teri Garr in One From the Heart

Cast: Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski, Lainie Kazan, Harry Dean Stanton, Allen Garfield. Screenplay: Armyan Bernstein, Francis Ford Coppola. Cinematography: Ronald Victor García, Vittorio Storaro. Production design: Dean Tavoularis. Film editing: Rudi Fehr, Anne Goursaud, Randy Roberts. Music: Tom Waits. 

Was it the success of Baz Luhrmann's Moulin Rouge! (2001) and Damien Chazelle's La La Land (2016) that inspired Francis Ford Coppola to try revamping One From the Heart, the 1981 musical that destroyed his hopes of creating a film studio? One From the Heart had often been called "ahead of its time," for its attempt to revive the movie musical with stylized sets and performers that weren't known for singing and dancing. The knock against One From the Heart was chiefly that the elaborate production overwhelmed the rather thin story: a couple who quarrel, split up, have flings with others, but return to each other at the end of the film. Unfortunately, that defect remains in the re-edited version, with previously unseen footage, that Coppola called One From the Heart: Reprise. And both Frederic Forrest and Teri Garr feel miscast: Forrest was a fine character actor, not a leading man, and Garr was a wonderful comic actress in movies like Young Frankenstein (Mel Brooks, 1974) and Tootsie (Sydney Pollack, 1982), but they have no chemistry together as the sparring lovers. Tom Waits's songs, beautifully sung by Waits and Crystal Gayle, work nicely as a kind of Greek chorus commenting on the action, but some who admire the original version of Coppola's film object that in the Reprise they've been smothered by dialogue. Mostly it's a treat for the eye and sometimes for the ear, but it never reaches the heart.    

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