A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Tuesday, March 25, 2025

Wicked (Jon M. Chu, 2024)


Cast: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, Ethan Slater, Marissa Bode, Peter Dinklage (voice), Andy Nyman, Courtney Mae-Briggs, Bowen Yang. Screenplay: Winnie Holman, Dana Fox, based on the musical play by Winnie Holzman and Stephen Schwartz and the novel by Gregory Maguire. Cinematography: Alice Brooks. Production design: Nathan Crowley. Film editing: Myron Kerstein. Music: John Powell, Stephen Schwartz. 

I admit that I didn't much care for Wicked. The few things I did like about it, such as Jonathan Bailey's impish Fiyero, were overwhelmed by frantic choreography, ugly (and naturally Oscar-winning) sets, and noisy special effects. It's a movie for children of all ages, but especially hyperactive ones. 

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