A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Search This Blog

Thursday, May 8, 2025

24 City (Jia Zhang-ke, 2008)

Joan Chen in 24 City

Cast: Jianbin Chen, Joan Chen, Liping Lü, Tao Zhao. Screenplay: Yongming Zhai, Jia Zhang-ke. Cinematography: Yu Wang, Nelson Lik-wai Yu. Production design: Qiang Liu. Film editing: Kong Jinglei, Xudong Lin. Music: Yoshihiro Hanno, Giong Lim. 

Jia Zhang-ke's 24 City takes a docufictional approach to the history of modern China, telling the story of the conversion of a former aircraft parts factory into a planned community, and by extension commenting on the past, present, and implied future of the country and its people. Jia mixes scenes in which actors impersonate factory workers and members of their families with scenes in which the actual workers appear before the camera. The stories are sometimes painful, as in the one in which a woman tells how she was separated from her little boy during the war and never saw him again, and sometimes poignant, such as the narrative of a smartly dressed, contemporary young woman who was shocked to witness the unpleasant conditions in which her mother worked. Their narratives are interspersed with musical sequences and snippets of poetry, including some lines by W.B. Yeats that prove oddly resonant. The result is an absorbing journey into a world unfamiliar to most of us.