A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Saturday, June 28, 2025

Sing Sing (Greg Kwedar, 2023)


Cast: Colman Domingo, Clarence Maclin, Sean San Jose, Paul Raci, David Giraudy, Mosi Eagle, James "Big E" Williams, Sean Dino Johnson. Screenplay: Clint Bentley, Greg Kwedar, Clarence Maclin, John Divine G Whitfield. Cinematography: Pat Scola. Production design: Ruta Kiskyte. Film editing: Parker Laramie. Music: Bryce Dessner. 

Greg Kwedar's docudrama Sing Sing is an object lesson on how solid characterization combined with skillful acting can carry a film beyond the limitations of genre and plot. Not much really happens in the movie: A group of convicts put on a play. There is one death, but it happens non-violently off-screen and the film is concerned with how it affects the characters and their relationships to one another. There is an explosion of temper but it's resolved peacefully. There are revelations of backstory, but the chief concern is immediacy. There is a bit of advocacy for more humane treatment of prisoners, but it's not preached at us. There is some tension about whether the play will actually take place and whether some of the prisoners will receive clemency or parole, but it's more in service of character than of plot. In short, it's a movie that lets you do the thinking and feeling without undue manipulation, which is rare these days.