A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Friday, August 29, 2025

Anesthesia (Tim Blake Nelson, 2015)

Sam Waterston in Anesthesia

Cast: Sam Waterston, Corey Stoll, Tim Blake Nelson, Kristen Stewart, Gretchen Mol, Glenn Close, K. Todd Freeman, Michael Kenneth Williams,  Hannah Marks, Ben Konigsberg, Natasha Gregson Wagner, Jessica Hecnt, Scott Cohen, Gloria Reuben, Yul Vazquez, Richard Thomas, Annie Parisse, Lucas Hedges. Screenplay: Tim Blake Nelson. Cinematography: Christina Alexandra Voros. Production design: Tina Goldman. Film editing: Mako Kamitsuna. Music: Jeff Danna. 

As an actor, Sam Waterston radiates sincerity. So does Tim Blake Nelson's Anesthesia, which proves to be both its strength and its downfall. Waterston plays a Columbia philosophy professor who, in the evening after he has just announced his retirement to an adoring audience of students, is brutally attacked on the streets of New York City. Most of the film is a flashback to the events leading up to the attack, in which we see vignettes of the lives of his family and some others whose relationship to him and the assault gradually become apparent. It's a familiar technique for plotting and for giving depth to the central character, but there's a whiff of pretentiousness about it in Anesthesia. Waterston's character likes to quote Montaigne and Schopenhauer and Nietzsche, and the quotes are designed to resonate with the events of the film. Some characters, like Kristen Stewart's self-harming grad student, barely fit into the narrative except to underscore the film's musings about the meaning of existence. Anesthesia is an honorable attempt at a cinema of ideas, but it tends to suggest that phrase is an oxymoron.