A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Monday, October 27, 2025

A Better Tomorrow II (John Woo, 1987)

Ti Lung, Dean Shek, and Chow Yun-fat in A Better Tomorrow II

Cast: Ti Lung, Chow Yun-fat, Leslie Cheung, Dean Shek, Kwan Shan, Emily Chu, Kenneth Tsang, Shing Fui-On, Lam Chung, Ng Man-tat, Peter Wang, Lung Ming-yan, Louis Roth, Regina Kent, Ken Boyle. Screenplay: Chan Hing-ka, Leung Suk-wah, John Woo, Tsui Hark. Cinematography: Wong Wing-hung. Production design: Andy Lee, Luk Tze-fung. Film editing: David Wu. Music: Joseph Koo, Lowell Lo. 

When you have a big action movie hit like A Better Tomorrow (John Woo, 1986), you naturally want to make a sequel. But what do you do when the most popular character was killed off in the first film? You give him a previously unknown identical twin, of course. And not just a look-alike, but a twin with the same mannerisms, like chewing on an unlit matchstick. and equal proficiency at gunplay. And so Chow Yun-fat's Mark Lee is reincarnated in A Better Tomorrow II as Ken Lee. The sequel is bloodier and noisier and more improbable than the original, and it adds a fourth protagonist to the original trio of Ho (Ti Lung), Kit (Leslie Cheung), and Mark, now Ken (Chow): Dean Shek as Lung Sei, the target of a police investigation who turns out to be a good guy being framed. The somewhat too twisty plot takes Lung to New York, fleeing arrest for murder, where he meets up with Ken, a restaurant owner who is in trouble with the mob in America. It also introduces a novel kind of psychotherapy: Lung has a mental breakdown when he learns that the mob back in Hong Kong has killed his daughter and he witnesses the murder of a friend and a little girl. Ken takes it upon himself to heal the catatonic Lung by subjecting him to gunfire: They're attacked by both the Hong Kong and American mobsters. Lung recovers in time to help, and somehow the two of them make their way back home, where they join forces with Ho and Kit. Woo, who was reluctant to make the sequel, agreed in order to give Shek, a friend of his in financial difficulties, a job. Tension between Woo and producer Tsui Hark almost derailed the film, which spends too much time in the New York scenes, but the action sequences are the usual spectacular and inventive overkill. 

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