A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Saturday, November 1, 2025

A Chinese Ghost Story II (Ching Siu-tung, 1990)

Joey Wong and Leslie Cheung in A Chinese Ghost Story II

Cast: Leslie Cheung, Joey Wong, Michelle Reis, Jacky Cheung, Wu Ma, Lau Siu-Ming, Waise Lee, Ku Feng, Lau Shun, To Siu-chun. Screenplay: Edward Leung Yiu-ming, Lam Kei-to, Lau Tai-muk. Cinematography: Arthur Wong. Special effects: Nick Allder, David H. Watkins. Film editing: Marco Mak. 

A non-stop, no-holds-barred extravaganza of ghosts, demons, monsters, swordsmen, priests, princesses, and whatever else can be dredged up from Chinese myth and legend, Ching Siu-tung's followup to the 1987 original, A Chinese Ghost Story II does what the first film didn't: It makes the characters secondary to the special effects. Which is not to say it isn't entertaining, but the gifts of its attractive performers are almost incidental. The head-spinning plot follows Leslie Cheung's naive young tax collector Ning Choi San in the aftermath of his romance with a beautiful ghost (Joey Wong). Wrongfully imprisoned, he escapes with the aid of his fellow prisoner, the scholar Elder Chu (Ku Feng), on a horse he unwittingly -- Ning does most things by accident -- steals from a magician, Chi Chau (Jacky Cheung), and winds up in the company of two beautiful sisters, Ching Fung (Wong) and Yuet Chi (Michelle Reis), who mistake him for the real Elder Chu. They and their retinue are trying to free their father, Lord Fu (Lau Siu-Ming), who has also been wrongly charged with a crime and now faces execution. And as if all this weren't confusing enough, Ching Fung is an exact double for Ning's ghostly love -- a fact that astonishes Ning but the film doesn't bother to account for. Ning's old accomplice, the Taoist priest played by Wu Ma, returns too. Everything winds up in a welter of supernatural phenomena that features, among other things, a centipede the size of a subway train and much swooping and swirling of mysterious forces. It's a lot of noisy fun if you don't insist on logic and coherence.