A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Tuesday, February 25, 2025

Chilly Scenes of Winter (Joan Micklin Silver, 1979)







Cast: John Heard, Mary Beth Hurt, Peter Riegert, Kenneth McMillan, Gloria Grahame, Nora Heflin, Jerry Hardin, Tarah Nutter, Mark Metcalf, Allen Joseph, Frances Bay, Griffin Dunne. Screenplay: Joan Micklin Silver, based on a novel by Ann Beattie. Cinematography: Bobby Byrne. Production design: Peter Jamison. Film editing: Cynthia Scheider. Music: Ken Lauber. 

Chilly Scenes of Winter is a kind of deconstructed screwball romantic comedy, meaning that it turns on the often comic efforts of a couple to overcome the dysfunction in their relationship. But the romance is soured and the comedy is darkened by circumstances they can't control, as well as their own egos. Initially released under the title Head Over Heels, it had a "happy ending" that felt unearned and it failed at the box office. Then writer-director Joan Micklin Silver revised the film a few years later, with a freeze-frame ending that left the protagonist in a kind of emotional limbo, and under the title of the Ann Beattie novel it was based on, it was better received. It's still full of cringe moments and skewed relationships, but in its own itchy way it makes dramatic sense.