A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Chad Stahelski. Show all posts
Showing posts with label Chad Stahelski. Show all posts

Wednesday, February 19, 2025

John Wick: Chapter 2 (Chad Stahelski, 2017)





Cast: Keanu Reeves, Riccardo Scamarcio, Ian McShane, Ruby Rose, Common, Claudia Gerini, Lance Reddick, Laurence Fishburne, Tobias Segal, John Leguizamo, Bridget Moynahan, Franco Nero, Peter Stormare. Screenplay: Derek Kolstad. Cinematography: Don Laustsen. Production design: Kevin Kavanaugh. Film editing: Evan Schiff. Music: Tyler Bates, Joel J. Richard. 

"You've got a beautiful house, John," the villain (Riccardo Scamarcio) says to the hero (Keanu Reeves), and we silently think the rest: "Too bad if something happened to it." It does, of course, and we are back in the world of John Wick. Grimly stoic as usual, the protagonist takes a licking and keeps on John Wicking.  Wickworld is a place with its own peculiar laws, one in which extremely violent things happen, from automobile demolition derbies to shootouts in the subway, and no authorities seem to intervene and passersby often don't even take notice. The choreographed violence becomes tolerable -- it's part ballet and part animated cartoon. In the extended fight between Wick and Cassian (Common), there's no sound but gunshots, blows landing, and combatants grunting, a kind of percussive duet that's as rhythmically compelling as Gene Krupa's drum solo on Benny Goodman's "Sing, Sing, Sing." 

Wednesday, February 12, 2025

John Wick (Chad Stahelski, 2014)









Cast: Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe, Dean Winters, Adrienne Palicki, Ian McShane, Lance Reddick, John Leguizamo. Screenplay: Derek Kolstad. Cinematography: Jonathan Sela. Production design: Dan Leigh. Film editing: Elisabet Ronaldsdóttir. Music: Tyler Bates, Joel J. Richard. 

Keanu Reeves reminds me of Gregory Peck, another handsome movie star of limited acting range who succeeded by being eminently likable. Just as Peck was miscast as the demonic Captain Ahab of John Huston's Moby Dick (1956), Reeves struggled to play the villainous Don John in Kenneth Branagh's Much Ado About Nothing (1993) -- something about both performers seems to draw a sympathetic response from the audience. That something is certainly needed in John Wick, with Reeves playing a remorseless hit man, though the actor is so innately likable that the filmmakers didn't really need to kill Wick's puppy to elicit audience sympathy. Shoot-'em-up thrillers are so common these days that adding another franchise to the action genre seems like overkill. But what makes John Wick work is screenwriter Derek Kolstad's ability to craft a believable alternate world in which the character can seem plausible. Director Chad Stahelski (and his co-director David Leitch, who was denied that credit by the Directors Guild) manage to create an ambience that evokes both French gangster movies and Hong Kong martial arts films -- Jean-Pierre Melville meets Tsui Hark -- while retaining a peculiarly American love of artillery and automobiles. 

Tuesday, March 10, 2020

John Wick: Chapter 3 -- Parabellum (Chad Stahelski, 2019)

Mark Dacascos and Keanu Reeves in John Wick: Chapter 3 -- Parabellum
Cast: Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Saïd Taghmaoui, Jerome Flynn, Tobias Segal, Randall Duk Kim. Screenplay: Derek Kolstad, Shay Hatten, Chris Collins, Marc Abrams. Cinematography: Dan Laustsen. Production design: Kevin Kavanaugh. Film editing: Evan Schiff. Music: Tyler Bates, Joel J. Richard.

I'll admit that I haven't seen the first two John Wick movies, for much the same reason that I've never watched any of the Taken or Fast and Furious movies: Who needs another action movie franchise? But the films have gotten enough positive response, and I like Keanu Reeves enough, that I gave in and watched the latest in the series. I wasn't disappointed: It's full of well-choreographed fight scenes that are almost balletic (not to mention ballistic) in character. The sets and cinematography are handsome. Reeves doesn't disappoint, Halle Berry is terrific, and I liked seeing old favorites like Ian McShane, Laurence Fishburne, and Anjelica Huston. It was nice to see Mark Dacascos, whom I knew only as the Chairman on Iron Chef America, in his martial arts element. On the whole, I'd say it's on a par with the best of the James Bond and Mission: Impossible movies. Will I watch another John Wick movie if one comes my way? Probably. But let me say it again: Who needs another action movie franchise?