A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Saturday, July 18, 2026

Variety Lights (Alberto Lattuada, Federico Fellini, 1950)

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Giulietta Masina and Peppino De Filippo in Variety Lights 

Cast: Peppino De Filippo, Carla Del Poggio, Giulietta Masina, John Kitzmiller, Dante Maggio, Checco Durante, Gina Mascetti, Giulio Calì, Silvio Bagolini, Giacomo Furia, Mario De Angelis. Screenplay: Federico Fellini, Alberto Lattuada, Tullio Pinelli. Cinematography: Otello Martelli. Art direction: Aldo Buzzi. Film editing: Mario Bonotti. Music: Felice Lattuada. 

For Federico Fellini, there was no business like show business. More than almost any other major filmmaker, his movies centered on the lives of performers or directors or just would-be stars and starfuckers, people in search of a way to be larger than life. He launched his career as director with a pure example of this preoccupation, Variety Lights, co-directed with Albert Lattuada but distinctively Felliniesque. It's the story of Checco Dal Monte (Peppino De Filippo), the hapless manager of a rag-tag company of vaudevillians, who thinks he's found the way to the big time when an ambitious would-be star, Liliana (Cara Del Poggio), latches on to him after seeing the troupe perform. Initially skeptical, Checco comes round when the young woman, whose beauty exceeds her talents, wins over a raucous audience and attracts the attention of a wealthy man whose obvious aim is to seduce her. Checco's mistress, Melina (Giulietta Masina), is furious when he falls for Liliana and begins trying to promote her career. The film goes a long way on the energy of its performers, including the members of the marginally talented company, but it lacks enough story to give it coherence.