A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Monday, August 31, 2026

Cactus Pears (Rohan Kanawade, 2025)

Suraaj Suman and Bhushaan Manoj in Cactus Pears

Cast: Bhushaan Manoj, Suraaj Suman, Jayshri Jagrap. Screenplay: Rohan Kanawade. Cinematography: Vikas Urs. Production design: Tejashree Kapadne. Film editing: Anadi Athaley. 

Tradition inevitably gives way to change, but it's the fight between them that animates our fictions. It falls to Anand (Bhushaan Manoj) to carry the burden of change in Rohan Kanadade's Cactus Pears, his debut feature. Anand is comfortably employed in Mumbai when his father dies, which necessitates a trip into the past, to the village where he grew up, for the ten-day funeral observances. Anand is reluctant to spend the whole ten days there. At 30, he knows that he'll be under constant pressure to explain why he's not married. At one point in the ceremonies, there's even discussion about whether, as an unmarried man, he's eligible to light his father's funeral pyre. But Anand is gay, a fact he feels compelled to hide from the villagers, if only to spare the embarrassment to his mother (Jayshri Jagtap), who already knows. During their stay, Anand meets Balya (Suraaj Suman), a friend from boyhood who knows Anand's secret because he's also gay. The film surveys the multiple tensions that arise as a new intimacy develops between Anand and Balya amid the funereal solemnity and the complex rituals and taboos of community and religion. Cactus Pears is a finely observed, refreshingly new take on a familiar story.