A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Anne Meara. Show all posts
Showing posts with label Anne Meara. Show all posts

Wednesday, April 23, 2025

A Fish in the Bathtub (Joan Micklin Silver, 1998)

Anne Meara and Jerry Stiller in A Fish in the Bathtub

Cast: Jerry Stiller, Anne Meara, Mark Ruffalo, Jane Adams, Missy Yager, Paul Benedict, Doris Roberts, Louis Zorich, Phyllis Newman, Val Avery, Bob Dishy, Pamela Gray. Screenplay: John Silverstein, David Chudnovsky, Raphael D. Silver. Cinematography: Daniel Shulman. Production designer: Deana Sidney. Film editor: Meg Reticker. Music: John Hill. 

Joan Micklin Silver's A Fish in the Bathtub has some funny lines, but an overall shrillness makes it not as much fun as it wants to be. The scene in which Sam (Jerry Stiller) yells "Shut up!" repeatedly at Molly (Anne Meara), his wife of 40 years, at a card party where their closest friends are gathered is a touch too painful. The rest of the film is a slow and sometimes awkward process of reconciliation after Molly decides she's put up with too much -- including the large carp that Sam has inexplicably brought home and keeps in the spare bath -- and moves in with their son, Joel (Mark Ruffalo), and his wife, Sharon (Missy Yager). Joel and Sharon have  been having their problems, too: She wants another child and he's not so sure, plus he's indulging in a flirtation with one of his real estate clients -- an unnecessary subplot. The actors are all pros, and they do what they can with the material, but the movie feels like an overextended TV sitcom episode. 

Tuesday, September 8, 2020

The Daytrippers (Greg Mottola, 1996)

Hope Davis, Liev Schreiber, and Parker Posey in The Daytrippers
Cast: Hope Davis, Anne Meara, Parker Posey, Liev Schreiber, Pat McNamara, Stanley Tucci, Campbell Scott, Stephanie Venditto, Marc Grapey, Douglas McGrath, Marcia Gay Harden. Screenplay: Greg Mottola. Cinematography: John Inwood. Production design: Bonnie J. Brinkley. Film editing: Anne McCabe. Music: Richard Martinez.

The Daytrippers is a mashup of subgenres: It's a road movie, a marital dramedy, a midlife crisis fable, and even an extended mother-in-law joke. No wonder it took so long to find a distributor: How do you market a movie like this? But it's also a wonderful sleeper find, if you just happen to come across it on the Criterion Channel, as I did. First of all, it's a terrific ensemble of skilled actors, some of them cast against type, like Marcia Gay Harden as a ditz in an extended cameo. The premise is this: Louis and Eliza D'Amico (Stanley Tucci and Hope Davis) are apparently happily married, but when he leaves their Long Island home one day for his editorial job in the city, she finds a note that suggests he may be having an affair with someone named Sandy. When she tells her mother (Anne Meara) about this, Mom insists that her husband (Pat McNamara) drive everyone into Manhattan to confront Louis and uncover the identity of Sandy. "Everyone" includes Eliza's sister, Jo (Parker Posey), and her boyfriend, Carl (Liev Schreiber), who happen to be visiting for the Thanksgiving holiday. This is not exactly your close-knit family, as it's held together loosely by the domineering mother, kept just this side of caricature by Meara's shrewdly calculated performance. The rest is a series of misadventures, as the family follows a series of clues and false leads, winding up in often hilarious but also poignant little side trips. It's the lack of go-ahead story that I think tripped up some of the movie's initial critics, like Roger Ebert, who found the movie, especially Meara's character, annoying. But there's so much about The Daytrippers that's closely observed and skillfully performed that I found myself wanting to see it again just to watch the way some brilliant performances -- Schreiber is especially wonderful in a role that's a 180 from tough guy Ray Donovan -- mesh into a true ensemble.