A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Atom Egoyan. Show all posts
Showing posts with label Atom Egoyan. Show all posts

Tuesday, February 10, 2026

Where the Truth Lies (Atom Egoyan, 2005)

Colin Firth and Kevin Bacon in Where the Truth Lies

Cast: Kevin Bacon, Colin Firth, Alison Lohman, David Hayman, Rachel Blanchard, Maury Chaykin, Sonja Bennett, Kristin Adams, Deborah Grover. Screenplay: Atom Egoyan, based on a novel by Rupert Holmes. Cinematography: Paul Sarossy. Production design: Phillip Barker. Film editing: Susan Shipton. Music: Mychael Danna. 

Confusion worse confounded. Atom Egoyan's whodunit Where the Truth Lies is miscast and muddled. First off, who would ever have cast Colin Firth and Kevin Bacon as a 1950s comedy team clearly modeled on Dean Martin and Jerry Lewis? Both actors make a go of it, being the professionals that they are, but they're battling the fact that neither of them is particularly known for their work in comedy. In the scenes where they're supposed to be performing, Bacon makes a few attempts at Lewis's spazz shtick, but Firth is simply a stiff. Worse is the casting of Alison Lohman as Karen, a journalist out to get the story of a young woman who was found dead in the hotel suite of the comedy team. Lohman has no weight or depth, and her voice, unfortunately entrusted with the narration, is thin and grating. Egoyan's decision to use flashbacks to unravel the complicated story is worsened by the fact that Lohman resembles Rachel Blanchard, who plays the victim, so that occasionally I was momentarily unsure which was which. There's a suicide and a sentimental aside involving the victim's mother which drag the film down just when we should in suspense about the solution to the crime, which itself lands unconvincingly. In short, a misfire from a usually reliable director. 

Sunday, February 1, 2026

Felicia's Journey (Atom Egoyan, 1999)

Bob Hoskins and Elaine Cassidy in Felicia's Journey

Cast: Bob Hoskins, Elaine Cassidy, Arsenée Khanjian, Sheila Reid, Nizwar Karanj, Peter McDonald, Gerard McSorley, Marie Stafford, Brid Brennan, Susan Parry. Screenplay: Atom Egoyan, based on a novel by William Trevor. Cinematography: Paul Sarossy. Production design: Jim Clay. Film editing: Susan Shipton. Music: Mychael Danna. 

A tightly wound performance by Bob Hoskins and a touchingly vulnerable one by Elaine Cassidy make Atom Egoyan's Felicia's Journey memorable. Cassidy is Felicia, an Irish girl who comes to Birmingham in search of the young man who made her pregnant and receives the sinister aid of Joe Hilditch (Hoskins), who runs a catering business. Egoyan subordinates suspense to character development and mood, which saves Felicia's Journey from being a routine and generic serial killer story. Paul Sarossy's cinematography avoids the clichés of darkness and shadow characteristic of the genre, and Mychael Danna's sometimes off-beat score also sidesteps familiarity.