A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Blue Steel. Show all posts
Showing posts with label Blue Steel. Show all posts

Tuesday, May 27, 2025

Blue Steel (Kathryn Bigelow, 1990)

Jamie Lee Curtis in Blue Steel

Cast: Jamie Lee Curtis, Ron Silver, Clancy Brown, Elizabeth Peña, Louise Fletcher, Philip Bosco, Kevin Dunn, Richard Jenkins. Screenplay: Kathryn Bigelow, Eric Red. Cinematography: Amir Mokri. Production design: Toby Corbett. Film editing: Lee Percy. Music: Brad Fiedel. 

Whatever points Kathryn Bigelow may earn for style in her direction of Blue Steel have to be offset by the fact that she co-wrote (with Eric Red) its nonsensical screenplay. Jamie Lee Curtis plays a rookie cop who becomes the obsession of a psychotic commodities trader and serial killer played by Ron Silver. The setup isn't a bad one, but the film is padded out with an unnecessary subplot in which Curtis's character is trying to persuade her mother (Louise Fletcher) to leave her abusive father (Philip Bosco) and a gratuitous sex scene before the expected final shootout. Bigelow demonstrated her gift for narrative economy in The Hurt Locker (2008) and for over-the-top action sequences in Point Break (1991). Blue Steel could use both.  

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