A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Gingle Wang. Show all posts
Showing posts with label Gingle Wang. Show all posts

Tuesday, September 15, 2026

Detention (John Hsu, 2019)

Gingle Wang in Detention

Cast: Gingle Wang, Fu Meng-po, Tseng Ching-hua, Cecilia Choi, Hung Chang Chu, Hsia Chang-ting, Jessie Chang, Moon Lee. Screenplay: John Hsu, Lyra Fu, Chien Shih-keng. Cinematography: Chou Yi-hsien. Production design: Wang Chih-cheng. Film editing: Shih Meng-ju. Music: Luming Lu. 

"History is a nightmare from which I am trying to awake," said Stephen Dedalus in Ulysses. It's also the nightmare that haunts Wei Chung-ting (Tseng Ching-hua) in John Hsu's debut feature Detention, an atmospheric horror film set the period of political and ideological repression known as the White Terror that persisted in Taiwan for more than 20 years. Wei is one of its victims, whose story is told in flashbacks to 1962, when he was a high school student. Wei and his classmates met secretly with some dissident teachers to read and discuss forbidden books, and when the authorities discovered this, the students and their teachers were arrested and tortured to elicit information about other nonconformists. The story largely centers on Fang Ray-shin (Gingle Wang), who was not a member of the group, but had a crush on an art teacher, Chang Ming-hui (Fu Meng-po), who was a participant. Fang's actions led to the betrayal of the group. The film takes place partly in the real world of the past but also in a dream world, part Fang's and part Wei's, filled with monsters and ghosts -- in short, the fantastic equivalents to the political repression. It's not an easy film to follow because of the temporal switchbacks and the lack of clear delineation between the actual and the imagined, but it succeeds at evoking a pervasive malaise and paranoia.