A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Joachim Trier. Show all posts
Showing posts with label Joachim Trier. Show all posts

Saturday, February 14, 2026

Louder Than Bombs (Joachim Trier, 2015)

Isabelle Huppert and Gabriel Byrne in Louder Than Bombs

Cast: Gabriel Byrne, Isabelle Huppert, Jesse Eisenberg, Devin Druid, Amy Ryan, David Strathairn, Ruby Jenkins, Megan Ketch, Rachel Brosnahan. Screenplay: Joachim Trier, Eskil Vogt. Cinematography: Jakob Ihre. Production design: Molly Hughes. Film editing: Olivier Bugge Coutté. Music: Ola Fløttum. 

Joachim Trier's Louder Than Bombs is a portrait of a dysfunctional family, but Trier lays on the dysfunction a little too thickly and the film descends into soap opera territory. Isabelle Reed (Isabelle Huppert), a celebrated photojournalist, has died in an automobile crash, and her family is contacted by a gallery for a memorial exhibition of her photography. A reporter (David Strathairn) who had worked with her is also preparing an article for the New York Times celebrating her life and work. Gene (Gabriel Byrne), her husband, asks their older son, Jonah (Jesse Eisenberg), who has just become a father, to come help him sort through the materials remaining in Isabelle's workshop. The younger son, Conrad (Devin Druid), is still in his teens, and Gene has refrained from telling him that his mother's death was probably not an accident but instead a self-destructive consequence of depression. Trier tells their story in fragments and flashbacks, and relies on some rather heavy-handed ironies. Isabelle, for example, had been concerned that her photographs of the victims of war were exploitative and voyeuristic, but Gene becomes a voyeur himself, spying on the sullen, secretive, and taciturn Conrad. He is also having an affair with one of Conrad's teachers (Amy Ryan) to further his spying on his son. In a gratuitous episode that adds nothing to the plot or the theme of the film, Jonah, although initially portrayed as a loving husband and father, has an affair with an old girlfriend (Rachel Brosnahan) he meets in the hospital where his wife has just given birth. The acting is uniformly good, with Druid particularly effective at portraying the torments of adolescence. But the secrets and lies in the film tend to sink it into melodrama.  

Thursday, January 15, 2026

Reprise (Joachim Trier, 2006)

Anders Danielsen Lie and Espen Klouman Høiner in Reprise

Cast: Anders Danielsen Lie, Espen Klouman Høiner, Viktoria Winger, Odd-Magnus Williamson, Pål Stokka, Christian Rubeck, Henrik Elvestad, Henrik Mestad, Rebekka Karijord, Sigmund Sæverud. Screenplay: Jochim Trier, Eskil Vogt. Cinematography: Jakob Ihre. Production design: Roger Rosenberg. Film editing: Olivier Bugge Coutté. Music: Olla Fløttum, Knut Schreiner. 

Youth, as they say, is wasted on the young. To make the point, Joachim Trier focuses on two friends, aspiring writers, in their early 20s, and imagines the course their lives might have taken as well as showing the way it did. He uses a voiceover narrator (Eindrida Eidsvold) to set up the potential but also sometimes to elucidate the actual. The result is a sometimes confusing but ultimately touching portrait of Phillip (Anders Danielsen Lie) and Erik (Espen Klouman Høiner) as they try to manage burgeoning careers, love affairs, and friendships. Reprise was Trier's first feature, made with the keen awareness of a director in his 30s of the choices and the missteps we all encounter in that crucial period of our lives.