A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Joseph McGrath. Show all posts
Showing posts with label Joseph McGrath. Show all posts

Wednesday, May 28, 2025

The Magic Christian (Joseph McGrath, 1969)

Peter Sellers and Spike Milligan in The Magic Christian

Cast: Peter Sellers, Ringo Starr, Isobel Jeans, Caroline Blakiston, Wilfrid Hyde-White, Richard Attenborough, Leonard Frey, Laurence Harvey, Christopher Lee, Spike Milligan, Roman Polanski, Raquel Welch, John Cleese, Graham Chapman, Yul Brynner. Screenplay: Terry Southern, Joseph McGrath, Graham Chapman, John Cleese, Peter Sellers, based on a novel by Southern. Cinematography: Geoffrey Unsworth. Production design: Assheton Gorton. Film editing: Kevin Connor. Music: Ken Thorne. 

There are some funny people doing funny things in The Magic Christian: John Cleese as a Sotheby's employee aghast when the billionaire played by Peter Sellers mutilates a painting thought to be a Rembrandt; Spike Milligan as a traffic warden bribed into eating the ticket he's given the billionaire for parking in a loading zone; and Sellers himself trying out an unpredictable variety of accents. There are also some inspired moments: Laurence Harvey playing Hamlet and doing a striptease during the "To be or not to be" soliloquy, and an unbilled Yul Brynner in drag, singing "Mad About the Boy." But this scattershot, anything-for-a-gag movie has too many gags that don't land, including some dodgy gay jokes like a swishy character named Laurence Faggot -- pronounced fa-GOH. It's a sledgehammer satire on the familiar premise that people will do anything for money, and it often lands flat on its own banality.