A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Lau Ching-wan. Show all posts
Showing posts with label Lau Ching-wan. Show all posts

Tuesday, August 25, 2026

Victim (Ringo Lam, 1999)

Lau Ching-wan in Victim

Cast: Lau Ching-wan, Tony Leung Ka-fai, Amy Kwok, Wayne Lai, Collin Chou, Hui Shiu-hung, Emily Kwan. Screenplay: Ho Man-lung, Ringo Lam, Joe Ma. Cinematography: Ross W. Clarkson. Art direction: Jason Mok. Film editing: Chan Chi-wai. Music: Raymond Wong. 

Ringo Lam's victim begins and ends like a horror movie, in a haunted hotel and a graveyard, but in between it's mostly an action film. This not entirely successful mashup of genres benefits from two high-powered performances, by Lau Ching-wan as Manson Ma, the titular victim, and Tony Leung Ka-fai as Pit Kwan, the detective in charge of the case. Ma, who is in financial trouble, is kidnapped at the film's beginning but rescued by Pit, who tracks him down to an old hotel where Ma is hanging upside down, apparently having been tortured. Under questioning, Ma is so eccentric in his responses that the police can make nothing of the case, so Pit takes over surveiling him when he's released. Car chases and gunfights ensue before we discover what Ma is really involved in, a counterfeiting scheme. The question of whether Ma has actually been possessed by the ghosts that are said to haunt the hotel lingers over the film, and Lam actually filmed two endings for Victim: In one, the question remains unanswered, while the other provides a manifestation of the spirits. Fortunately, Lam provides enough solid, even occasionally gruesome, action to satisfy any audience member who resists this rather pointless narrative gimmick.