A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Love Letter. Show all posts
Showing posts with label Love Letter. Show all posts

Sunday, May 24, 2026

Love Letter (Kinuyo Tanaka, 1953)

Masayuki Mori in Love Letter

Cast: Masayuki Mori, Juzo Dosan, Yoshiko Kuga, Jukichi Uno, Kyoko Kagawa, Shizue Natsukawa, Kinuyo Tanaka, Chieko Seki, Ranko Hanai, Chieko Nakakita, Keisuke Kinoshita. Screenplay: Keisuke Kinoshita, based on a novel by Fumio Niwa. Cinematography: Hiroshi Suzuki. Art direction: Seigo Shindo. Film editing: Toshio Goto. Music: Ichiro Saito. 

Struggling to get by in postwar Japan, Reikichi Mayumi (Masayuki Mori) spends his idle time searching for his childhood sweetheart Michiko (Yoshiko Kuga). Then one day he finds her and berates her for what she did to survive: become the mistress of an American soldier. That is the crux of the great actress Kinuyo Tanaka's first film as a director, Love Letter. The letter itself is the giveaway to Michiko's secret. Reikichi overhears her dictating it to his friend Naoto Yamaji (Jukichi Uno), who ekes out a living by writing letters for women whose GI boyfriends have left them behind when they returned to the States. Michiko bore the soldier's child, but it died, and now she urgently seeks his financial aid, fearing that she will have to prostitute herself to live. Tanaka creates a vivid portrait of a wounded country where regret about the past is secondary to the need to survive. In this context, Reikichi's rigid morality seems out of place. Alive with secondary characters, the film gives us more than just a tortured romance, and although it contains a soap opera crisis, Tanaka wisely avoids a pat reconciliatory ending.    

Thursday, March 21, 2024

Love Letter (Kinuyo Tanaka, 1953)

Masayuki Mori in Love Letter

Cast: Masayuki Mori, Juzo Dosan, Yoshiko Kuga, Jukichi Uno, Kyoko Kagawa, Shizue Natsukawa, Kinuyo Tanaka, Chieko Seki, Ranko Hanai, Chieko Nakakita, Keisuke Kinoshita. Screenplay: Keisuke Kinoshita, based on a novel by Fumio Niwa. Cinematography: Hiroshi Suzuki. Art direction: Seigo Shindo. Film editing: Toshio Goto. Music: Ichiro Saito.