A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Love Under the Crucifix. Show all posts
Showing posts with label Love Under the Crucifix. Show all posts

Sunday, November 16, 2025

Love Under the Crucifix (Kinuyo Tanaka, 1962)

Ineko Arima in Love Under the Crucifix

Cast: Ineko Arima, Tatsuya Nakadai, Ganjiro Nakamura, Mieko Takamine, Osamu Takizawa, Koji Nanbara, Manami Fuji, Yumeji Tsukioka, Hisaya Ito. Screenplay: Masahige Narusawa, based on a novel  by Toko Kon. Cinematography: Yoshio Miyajima. Art direction: Junpei Oosumi. Film editing: Hisashi Sagara. Music: Hikaru Hayashi.  

As deliberate and slow as the tea ceremony that it features, Kinuyo Tanaka's Love Under the Crucifix is a story of love thwarted by conflicting codes: Christian moral doctrine vs. the laws and traditions of 16th century Japan. Ineko Arima plays Ogin, daughter of Rikyu (Ganjiro Nakamura), a master of the tea ceremony. When a wealthy merchant seeks her hand in marriage, Ogin is forced to accept, even though she has loved Takayama Ukon (Tatsuya Nakadai) since they were children together. Ukon, however, is not only already married, but also a Christian and opposed to divorce. When Christianity is banned in Japan, he is forced into exile. Eventually Ogin and Ukon will meet again under perilous circumstances and their enduring love will be tested. Beautifully designed and filmed, Love Under the Crucifix is weighed down by exposition-heavy dialogue and its somewhat over-familiar story line. Arima is superb as Ogin, but Nakadai is wasted in a role that gives him little to do.