A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Nebraska. Show all posts
Showing posts with label Nebraska. Show all posts

Monday, November 3, 2025

Nebraska (Alexander Payne, 2013)

Bruce Dern and Will Forte in Nebraska

Cast: Bruce Dern, Will Forte, June Squibb, Stacey Keach, Bob Odenkirk, Mary Louise Wilson, Rance Howard, Tim Driscoll, Kevin Ratray, Angela McEwan, Glendora Stitt, Elizabeth Moore, Kevin Kunkel. Screenplay: Bob Nelson. Cinematography: Phedon Papamichael. Production design: J. Dennis Washington. Film editing: Kevin Tent. Music: Mark Orton. 

Like Joel and Ethan Coen's Fargo (1996) and Martin McDonagh's Three Billboards Outside Ebbing, Missouri (2017), Alexander Payne's Nebraska takes place in the hollowed-out heartland of the United States. But where those movies went for satire and dark comedy, Payne is going for something tonally more subtle. Pathos nudges up against humor in Nebraska's story of cantankerous old Woody Grant (Bruce Dern), whose emerging dementia persuades him that he has won a million dollars from one of those dodgy but legal magazine subscription promotions like Publishers Clearing House, which filed for bankruptcy earlier this year. Despite the protests of his long-suffering wife, Kate (June Squibb), and his sons, David (Will Forte) and Ross (Bob Odenkirk), he continues to insist on going from his home in Billings, Montana, to collect his winnings in Lincoln, Nebraska, even if he has to walk there -- he has lost his drivers license for DUI. After the highway patrol finds him walking along the freeway and brings him back, David finally gives up and agrees to take him to Lincoln, knowing that the trip won't end well but hoping it will put an end to the delusion. The film is longer than it should be -- the side trip to Mount Rushmore is unnecessary -- and there's a whiff of condescension in its portrayal of the residents of the decaying small towns of middle America, but it raked in Oscar nominations for picture, cinematography, and direction, and well-deserved ones for Dern and Squibb.