A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Norman Mailer. Show all posts
Showing posts with label Norman Mailer. Show all posts

Thursday, September 10, 2026

Maidstone (Norman Mailer, 1970)

Rip Torn and Norman Mailer in Maidstone

Cast: Norman Mailer, Rip Torn, Ultra Violet, Buzz Farbar, Leo Garen, Joy Bang, Lee Cook, Beverly Bentley, Jean Campbell, Robert Gardiner. Screenplay: Norman Mailer. Cinematography: Nick Doob, Richard Leacock, D.A. Pennebaker. Nicholas J. Proferes, Sheldon Rocklin, Diane Rocklin, Flame Schon, Jan Welt. Film editing: Lana Jokel, Norman Mailer, Jan Welt.

Why has no one done a biopic of Norman Mailer yet? Or would it be redundant? He put so much of himself on paper and on film that maybe there's not much left to say about him. But he's a key figure in that pivotal era in American cultural and political history, roughly the span of time from the Kennedy assassination to the Nixon resignation. The stressors of that period are on full display in his movie Maidstone: the psychic wounds of the assassinations of the Kennedy brothers, Martin Luther King, and Malcolm X;  the rise of Black power; the emergence of feminism and the reaction against it. It's a mad, almost unwatchable film, that fortuitously contained its own climax: the fight between the brothers played by Mailer and Rip Torn, which was a real fight between director and actor, the culmination of a five-day shoot at estates in East Hampton, New York. Much of Maidstone was improvised, with a resulting 45 hours of footage, that Mailer and others eventually edited into an 119-minute movie. It's ostensibly about a film director who wants to be a presidential candidate, launching his campaign while casting and beginning to film a movie. But really it's about the obsessions of Norman Mailer, and you really have to be interested in that to justify the time spent watching it.