A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Philippe Torreton. Show all posts
Showing posts with label Philippe Torreton. Show all posts

Wednesday, June 24, 2026

Captain Conan (Bertrand Tavernier, 1996)

Philippe Torreton in Captain Conan

Cast: Philippe Torreton, Samuel Le Bihan, Bernard Le Coq, Catherine Rich, François Berléand, Claude Rich, André Falcon, Claude Brosset, Crina Muresan, Cécile Vassort, François Levantal, Pierre Val. Screenplay: Jean Cosmos, Bertrand Tavernier, based on a novel by Roger Vercel. Cinematography: Alain Choquart. Production design: Guy-Claude François. Film editing: Luce Grunenwaldt. Music: Oswald d'Andrea. 

Wars don't end neatly, as we should know by now. In Bertrand Tavernier's Captain Conan the armistice ending World War I has been signed, but for the French soldiers in Eastern Europe, it hasn't made much difference. For one thing, the Russian civil war following the Bolshevik revolution is still raging, and for the French government and its allies that means the threat of incursions into the Balkans. So a group of French special forces trained in hand-to-hand guerrilla combat, led by Lt. Conan (Philippe Torreton), is sent to Romania. But the group is made up of a lot of rough types with criminal backgrounds, and Conan is hard-pressed to keep them in line. When the military starts trying to enforce discipline with courts martial, a young officer named Norbert (Samuel Le Bihan) is put in charge of trying the offenders even though his background isn't in law but in the academic study of literature. Conan and Norbert join in an odd couple relationship as they try to take a middle ground between by-the-book military justice and a humane view of the offenders. Tavernier's film mixes action and questions of wartime morality in a rich, thoughtful fashion. It's anchored by the charismatic performance of Torreton and the contrastingly quiet one of Le Bihan.