A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Search This Blog

Showing posts with label The Gift. Show all posts
Showing posts with label The Gift. Show all posts

Monday, October 26, 2026

The Gift (Joel Edgerton, 2015)

Joel Edgerton in The Gift

Cast: Jason Bateman, Rebecca Hall, Joel Edgerton, Allison Tolman, Tim Griffin, Katie Aselton, Wendell Pierce, Beau Knapp, Adam Lazarre-White, David Denman, P.J. Byrne, Busy Philipps, Felicity Price. Screenplay: Joel Edgerton. Cinematography: Eduard Grau. Production design: Richard Sherman. Film editing: Ben Baudhuin, Luke Doolan. Music: Danny Bensi, Saunder Jurriaans. 

Joel Edgerton's directing debut The Gift starts as a stalker thriller and morphs neatly into a revenge tale, Jason Bateman plays Simon Callem, who has just moved to Los Angeles with his wife, Robyn (Rebecca Hall), when they meet Gordo Moseley (Edgerton), who went to high school with Simon. Robyn, who is new to LA, is happy to meet people, and is surprised at Simon's coldness to Gordo, who shows up again uninvited, bringing gifts, after their first encounter in a shopping mall. It's a neat setup for an exploration of the secrets that even people who are married to each other manage to conceal from each other. Edgerton's screenplay and direction handle the gradual change of perspective in the movie nicely, but it's Bateman's performance that makes the story work. He shades Simon from likable and affable, traits Bateman's previous roles have often emphasized, into something much darker. Although the denouement feels a bit overelaborate, the ending leaves viewers to ponder an ambiguity about the nature of retribution.