A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Showing posts with label Yves Cape. Show all posts
Showing posts with label Yves Cape. Show all posts

Sunday, July 7, 2019

White Material (Claire Denis, 2009)


White Material (Claire Denis, 2009)

Cast: Isabelle Huppert, Christopher Lambert, Nicolas Devauchelle, William Nadylam, Michel Subor, Isaach De Bankolé, Adèle Ado, Ali Barkai. Screenplay: Claire Denis, Marie N'Diaye, Lucie Borleteau. Cinematography: Yves Cape. Production design: Abiassi Saint-Père. Film editing: Guy Lecorne. Music: Stuart Staples. 

Isabelle Huppert is an almost routinely extraordinary actress, and she gives one of her most striking performances in White Material, about the French owner of a coffee plantation in Africa. This is a far cry from Sydney Pollack's Out of Africa (1987), the glossy Oscar winner. Huppert's Maria Vial is a woman determined to the point of madness to get out her coffee crop during a civil war, even though the authorities have insisted she and her family should leave. Her husband, André (Christopher Lambert), is ready to flee, but she persists, even after their lazy, self-indulgent son, Manuel (Nicolas Duvauchelle), is captured by young rebel soldiers, abused, and possibly raped. Things continue to escalate in ever more complex and chaotic ways. It's an often harrowing film, held together in large part by Huppert's magnetism. 

Friday, July 5, 2019

L'Humanité (Bruno Dumont, 1999)



Cast: Emmanuel Schotté, Séverine Caneele, Philippe Tullier, Ghislain Ghesquère, Ginette Allègre. Screenplay: Bruno Dumont. Cinematography: Yves Cape. Production design: Marc-Philippe Guerig. Film editing: Guy Lecorne. Music: Richard Cuvillier.

Emmanuel Schotté's performance as an unlikely police detective in L'Humanité won the best actor award at Cannes. The film, about the detective's efforts to solve a case involving the rape and murder of a little girl,  is full of enigmatic moments and even paranormal events that test a viewer's credulity, but it winds up exerting a kind of exasperated fascination.