A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

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Saturday, October 31, 2009

They'd Rather Be Right

Frank Rich on the special election in New York state.
The battle for upstate New York confirms just how swiftly the right has devolved into a wacky, paranoid cult that is as eager to eat its own as it is to destroy Obama. The movement’s undisputed leaders, Palin and Beck, neither of whom have what Palin once called the “actual responsibilities” of public office, would gladly see the Republican Party die on the cross of right-wing ideological purity. Over the short term, at least, their wish could come true.

Just Say Yes?

Jacob Weisberg foresees an end to prohibition.
Within 10 years, it seems a reasonable guess that Americans will travel freely to Cuba, that all states will recognize gay unions, and that few will retain criminal penalties for marijuana use by individuals. Whether or not Democrats retain control of Congress, whether or not Obama is re-elected, and whether they happen sooner or later than expected, these reforms are inevitable—not because politics has changed but because society has.

Friday, October 30, 2009

Oh, Fox!

Jon Stewart does Fox as only he can:
The Daily Show With Jon StewartMon - Thurs 11p / 10c
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Wednesday, October 28, 2009

The Necessity of Passion

Ta-Nehisi Coates on journalism and blogging.
Incredible journalism is like incredible baby-making--it starts with passion. The guy combing through the city budgets because it's his job, isn't the same as the guy combing through them because it keeps him up at night, because he thinks about it when he shouldn't be. Institutions support that passion--but they don't create it. When my old Howard buddy was killed by the cops, it was all I could think about, and it was all I wanted to write about. And I did it almost for free, because it helped me sleep at night. I was burning to get it down. I deeply suspect that the bloggers you love, and the reporters you love, are similarly on fire inside.

Tuesday, October 27, 2009

What I'm Listening To

George Gershwin, Porgy and Bess. Willard White (Porgy); Cynthia Haymon (Bess); Harolyn Blackwell (Clara); Damon Evans (Sporting Life); Bruce Hubbard (Jake); Cynthia Clarey (Serena); Marietta Simpson (Maria); Gregg Baker (Crown). Glyndebourne Chorus, London Philharmonic Orchestra, conduced by Simon Rattle.

I'll never give up my fondness for the old Leontyne Price-William Warfield highlights album -- on which Price not only sings Bess's arias but also Clara's "Summertime" and Serena's "My Man's Gone Now" -- but this complete version is undeniably one of the great opera recordings. The cast is superb and the choral and orchestral work outstanding, but the real genius lies in Simon Rattle's conducting. Seriously, if you don't own this one, you should. (The video below is from a made-for-TV version available on DVD, with Haymon and White, conducted by Rattle.)

Outfoxing Fox?

John Scalzi on why the Obama administration's attack on Fox News is a smart strategy.
The White House says Fox News is not a real news organization and is the propaganda arm of the GOP, Fox News throws a very public shit fit about it, which gives it higher ratings and an impetus to skew even more to the right in its presentation, and go out of its way to criticize Obama even further. Meanwhile the noise is all covered by multiple other news outlets, which in aggregate reach a much larger audience, which show Fox News anchors and personalities in the middle of ideological conniptions, confirming to the general population the proposition that, indeed, Fox News is more interested in politics than news, and reinforcing the impression that Fox News and the GOP are reading off the same page. Which makes the GOP look unreasonable in an era in which its popularity isn’t, shall we say, spectacular to begin with.

Monday, October 26, 2009

Folding the Newspapers

Kevin Drum forecasts the demise of newspapers.
A few years ago I was on a panel discussion and the moderator asked us all how long newspapers distributed on newsprint would last in the United States. My guess was 20 years: that is, the last newspaper in the country would shut its doors in 2025. That's now looking pretty optimistic: a lot of people these days seem to think that 2012 is more like it, and today's news won't do anything to change their minds. At the same time, there are various ways you can look at that 10% drop, and one of them is simply that the recession has condensed several years of decline into a single year. A $500 newspaper subscription is a prime candidate to get sliced out of the family budget when times are tough and news can be found everywhere.

Sunday, October 25, 2009

What a Friend We Have in Cheeses

Saturday, October 24, 2009

What I'm Watching


Revolutionary Road

Sometimes it's hard to put your finger on exactly why a film doesn't work for you. Here's a well-acted, skillfully designed movie that doesn't make the impact it should, given all the talent on display. It seems disjointed, as if pieces of the plot and keys to the characters are missing. There's no faulting the performances. DiCaprio's boyishness is just right for Frank, who hasn't yet figured out what it is to be a man. And Winslet delivers April's comparative maturity with her accustomed brilliance. To its credit, the film doesn't devolve into a look-how-far-we've-come commentary on the fifties -- it doesn't put the era down, the way "Mad Men" sometimes condescends to the era in which it's set. Frank and April are acutely aware of the social and emotional limitations of the age in which they're living, but they haven't figured out how to rise above them. I'm currently reading the novel, which has all the depth and all the connective tissue that the film lacks, but more on that later. And all that said, one should be grateful for a movie that exhibits such raw power as this scene, which earned Michael Shannon an Oscar nomination:

Friday, October 23, 2009

When Is News Not News?

Rachel Maddow explains what's wrong with Fox News's claim to be just another news channel.